I have been working on new pieces for two exhibitions in East Lothian this autumn; one at Hangar Framing, Fenton Barns starting 3 Oct and the other at The Scottish Seabird Centre, from 11 Nov – 26th Jan 2016
In the interim, sewing and stitching with friends has encouraged me to look at designs that work across different mediums. One unexpected but inspiring source has been an instructional Chinese watercolour book on how to paint carp. The text is obscure, but the illustrations demonstrate fluid compositions weaving patterns of objects, line and colour, as well as judicious use of whitespace, to create a harmonious whole. Not as easy as it looks.
The translucency of goldfish reminded me of the many late summer leaves of Delesseria sanguinea and Phycodrys rubens that have fallen from the sea recently… and so I have waded in.